#hi i hurt my feelings with this

[umbral-stigmata-unbound]

Regress Meme | Open

@sleeplesswork asked: regress - and one for weiss and nero of course ~

Everything felt wrong. It felt as if the work was scraping away at his senses, screaming at his presence. He felt like any moment, he would be shoved far, far, far away, deep into something else. He wasn't sure why this was happening, why he was feeling this, and if he was feeling it all so strongly because he'd escaped that stupid heavy outfit the doctors made him wear. They were changing uniforms, given that now he was seven, he was growing bit by bit again and his attire would need to be adjusted.

He just remembered running, his senses, his power, overwhelming, spilling, bursting, until he tripped here.

And he kept stumbling and running, as he finally, FINALLY sensed something familiar. A harsh, strong, heavy beacon of pure energy. It...he knew it, it was so deeply familiar and ingrained in his mind and his heart, but it was heavier now. It was MORE now. He could barely care about why. Bare feet slapped across cold ground, a torn black gown flowing around him, and a few bandages fall away to be consumed in the darkness trailing behind him, occasionally consuming metal and such from the flooring and the walls when he'd almost trip or run into a wall.

Finally, he found it...and he stared, in horror.

White hair. It was his. That energy...it was his! But this...? This was not right...! THIS WOULD NOT BE!!

His brother, his dear brother, his beloved brother and protector...bound to a harsh thrown. A sob tore from trembling lips past jagged and irregular teeth, tears dropping slowly from red eyes torn between rage and sadness and a fear he'd never felt.

"Brother!!" the young boys voice broke out then, a cry of despair, of anger, of desperation, before black tendrils formed from flowing darkness, and reached to take hold of every chain binding the bound man. They gripped until the metal creaked and whined. And the boy cried again, "BROTHER!! WEISS!! LET GO!!!"

His eyes shown with power, and the tendrils tore the chains apart, leaving the man unbound once more. Breathing unevenly, controlling sobs and failing, careful footsteps were taken until he was just a few steps away from the thrown and where his brother sit, unsure if he was even conscious. And then the sobs overtook him as the darkness eased around him, like a blanket hanging behind him as he threw himself upon his brothers lap, holding on to what he could reach for dear life.

[hinamie]

to moving forward

[arcane-gold]

talk to me, tell me everything you see, the sun that’s shining lighter than a feather

(prints)

[thebrainrotsreal]

Drew this real quick because I fucking love these two so much ???? Especially Bee. I wish they interacted more so badly. PLEASE.

Also learning how to draw these guys.. slowly.

[ducktracy]

there are a lot of evil people in the world and a lot of darkness in the world and so it’s very important for me to stress that now more than ever is the time to spread kindness and compassion. combat the evil by not only not partaking in it, but actively refuting it. destroy the notion that being compassionate or generous or kind to someone is uncool or embarrassing or even scary. be the change you want to see. start a chain reaction. positivity only breeds more positivity. do an act of kindness for someone so that that person who is too afraid to do it themselves can see you, realize that they’re not alone, and perhaps sheepishly follow your example. and then the next person who is too afraid but sees that person can do the same. when bad news comes out about bad people or horrible atrocities in the world it’s such an easy impulse to despair, and obviously it’s important to feel what you need to feel. grieve. be angry. be sorrowful. be empathetic. but dust off your pants and get up and be a part of a chain reaction that, no matter how small the scale, and spread compassion and love and care. all the reasons why you might not—“it’s hard! it’s scary! people will make fun of me! it’s useless because there’s too much evil!” are all grade A arguments as to why you should. you have no idea how many people you could inspire to do the same. even if it doesn’t get you anyway far, you can at least say you have the nobility of trying. please choose love and please choose life. you are worth loving and you are worth inspiring others to love

[drgnflyteabox]

a little continuation of this. john price x cashier fem!reader. verbal abuse, anxiety, yelling, hurt/comfort, price comes to your retail rescue<3<3 1.4k words

The only good part of a 5am wakeup is watching the sunrise slowly climb the sky.

There’s a quiet sort of tiredness that lets you appreciate it more — and though the lot associates have made a joke about the morning crew and their sunrise photos, there’s an element of truth there that’s both funny and a little beautiful.

It’s a drag to wait outside the doors for a manager to open them, trying not to make eye contact with the early-bird oldies and the impatient contractors who think they should just be allowed in before everyone else based on the amount of money they spend.

When the doors open and the 6am hardware warriors stroll in, ready and chipper, you’re half asleep leaning against your counter.

Another good thing about the early shift is the lack of uptight managers. None of them want to wake up before ten, so you’re safe to lean and lounge while waiting for customers.

A call comes through your earpiece after a few customers, nearing the cusp of 8am.

”Hey, we’ve got the guy coming your way,” your head cash – Lisa – says, voice crackling in the mic. The guy is a rude jerkoff, some contractor who thinks abusing staff is the way to get good service and better prices.

What’s worse is that your managers allow it. In fact, you get warnings like this all the time. The guy is here, the guy has a big order, make sure to cash him out fast or he’ll start shouting. Be pleasant. Smile.

The guy is walking down the store lumber aisle with a pinched expression on his face and two other employees dragging his stacked carts behind him.

You try to ignore his caustic vibes, thinking instead of the pink, purplish sunrise you’d seen earlier. Clouds like magic, cotton candy, floating above you 

You ignore the incessant tapping of his feet, the annoyed groan he makes when you lift a package of insulation up and find flat saw blades.

Sure, you can’t accuse him of stealing. But you can make a cheery, passive aggressive comment–

“Oops, I guess you forgot these!” you chirp, scanning them a little slower than necessary. It’s not mature, but it does make you feel a little better. Nice try, bozo.

Playing the idiot cashier helps with these types. Why are you mad, sir? I’m just a cashier? And though you could answer more questions than you do, you don’t. Playing the ditz makes life easy.

Lisa’s definitely judged you for it, but hey. She’s not stuck at the register like you are.

Sometimes, it works. You get a scowl, but they’ll go quiet. Sometimes.

Today, it backfires.

“Excuse me?” 

Oh here we go, you think. It’s way too early for this.

“What was that, sir?” you play dumb, voice squeaking.

“Are you accusing me of stealing?” his volume raises. You see redness crawling up his neck. Fuck.

“No, no, I only meant–” you try to backtrack. Fuck, fuck. This is the result of your hubris. Your reasoning flies out through the massive lumber area doors as his rage climbs.

“No? No? Because I think you just accused me of stealing. Do you understand how much I spend here, you moron?”

“I do, I didn’t mean to imply–”

“Get me a fucking manager, now,” he snaps. God, you have no clue if he acts like this to get his way, to get discounts, or if he’s really this angry half the time he comes in.

Regardless, the effect is real. You’ve never been good with anger, and you’re shaking a little as you press the call button on your pager.

“C-Can I please have a manager down to lumber cash?” you broadcast to the store.

All you can think of is looking away from his angry gaze while you wait. Oh, a bubble bath – you have an aloe and green tea bubble bath packet at home waiting for you.

Hot water. Bubble bath. Manager to fix this mess. Maybe a hot chocolate after work?

A couple minutes pass. Longest minutes of your life.

No answer. The guy taps his foot, sighing loudly, angrily. You try again.

“Can I please have a manager down to lumber cash?”

Oh fuck, is that someone else in line? You turn away bodily, speaking again into your mic. Trying to look like you’re doing something about the wait.

Another couple minutes. Despair washes over you like a cold blanket of snow.

“Need a manager at lumber cash,” you try.

Typical, really. Lisa is likely on break, and you have no idea who’s managing the store at the moment.

You imagine it’s likely Cody, who’s good with contractors like this because he's personable but he’s also lazy it almost cancels out. Also, he takes a smoke break every 5 minutes.

And never takes his pager.

“What the fuck is taking so long?” you hear behind you.

“I’m sorry,” you say, turning. “My manager is busy at the moment but–”

“Busy?” his voice is like a gunshot in the airy space, an absurd volume for the time.

“Yes–”

“Do you know–”

A third voice cuts in.

“Think you better learn a little patience, mate,” British?

Oh, shit. It’s that guy from before. He’s got one hip a little cocked, a frown on his face like he’s smelled something bad. His boonie hat is titled down, nearly covering his eyes. You can see them because you’re shorter than he is.

“Excuse me? And who are you? Mind your business,” the guy says.

“I think you’d better let the nice girl check me out while you wait,” he motions for you towards the parallel cash desk, and you’re grateful to just follow.

You scurry away from the guy faster than is appropriate, calling out again as you cross the open space towards the other cash desk for a manager.

You can only hope they arrive while you’re helping this one. John Price, you think his name was. He's a memorable man. Him and his moustache and his expensive company.

John Price has left the guy flabbergasted. He also has twice as many carts as him, and when your eyes widen to see them he just says take your time in a smooth, deep voice.

Oh man.

You do take your time, already calmer for John’s presence. Strange maybe to feel safe in the company of a stranger, a contractor no less, but it’s a nice change of pace.

Beep, beep. You scan methodically. John has no hidden items, and he doesn’t pressure you. He leans up against his lumber order and watches you check underneath things, under the cart, doing everything you’re trained to do.

“Start early?” he asks.

“Hm?” you lift your head. “Oh, yes. 6am.”

He whistles.

“Hard worker, I see,” he helps you lift a heavy bag of concrete.

“Thank you,” Marx look away, you think. Your face is only a little hot.

Cody strolls in the lumber doors missing his apron and – you guessed it – his pager. You fix him with a look as he smiles in greeting.

“Need a manager when you’re free,” you rush. Cody is nice, but you’re kinda miffed now.

“Oh, sure,” he says, walking by you toward the breakroom.

John Price raises a brow.

“Not everyone’s up to the task, eh?”

You feel hot again.

“It’s just early.”

John smiles. He looks remarkably silly doing it, you think. His facial hair makes him look approachable, cuddly. Like a teddy bear.

John’s order totals double the guy, which isn’t really a victory for you but it feels like one. Ha! See, you aren’t the richest guy here. You feel vindicated. Cody looks miserable cashing him out, which makes you just a little guilty.

“Will that be cash or card?” you ask, finger hovering on the POS.

He pays with card. You certainly do not notice how he cradles the machine. You aren’t that down bad.

Only you are, and his fingers are huge. His knuckles are hairy.

When you go to hand him the receipts, printed twice for record keeping, he manages to slip a 50 into your hand before you notice.

“Oh, no! I’m not allowed to–”

He folds those big bear paws over your hand, enclosing the cash in it with a sh sh sh as you protest.

“For the trouble,” he winks.

“You didn’t give me any trouble,” you try. The warmth of his palm, the roughness of his calluses. You’re a goner.

He chuckles, and you wonder how he can be both so intense and so disarming.

“You know what I mean, sweetheart,” he squeezes your hand, pushing it gently back towards you until you can put it in your apron pocket.

“Thank you,” you squeeze out.

“Don’t let him get to you,” he says.

“I’ll try,” you thank God or the universe or whoever that Cody and the guy finished a while ago.

“Attagirl.”

Yeah, you’re a goner.

[poorly-drawn-mdzs]

Horse Meshi. Delicious, in Horse.

[vaguely-concerned]

on the one hand I think inner demons could stand to have a bit more romanced rook specific content, but on the other hand the underlying in-built implication that 'yours is the one true voice of comfort and safety in my inner world' is a sentiment and intimacy so way beyond the romantic or the platonic or any secret third thing you could care to name that it makes me lose my entire poor little mind a bit. it's so big and fundamental — near-existential — that in that exact moment at least the distinctions kind of seem irrelevant.

all the people lucanis' mind conjures up along the way are relationships he has that are unavoidably mixed and fraught in some ways even when they're also full of love (they are fraught BECAUSE they're full of love) — the good in them inseparable from things that hurt him at the same time. (it's about: the basic disorganized attachment patterns this poor guy is dragging around with him. careful with those, they're dellamorte heirlooms. what you love also inevitably hurts you and you won't be allowed to have one without the other, you have to surrender parts of your soul to hold on to what little you have left: this is the story up until now.) and the idea that rook isn't that to him — that beneath the fear of wanting them when romanced (which is more its own separate thing because within this psychology, actively wanting something and not just clinging on for dear life to even a meager status quo lest you lose it is in itself dangerous bordering on catastrophic), this is a relationship where there isn't resentment, or guilt, or shame, or dread, or rage, or self-hate, or any of the other emotions that keep him paralyzed, unable to move this way or that. no debts, nothing owed of yourself and your soul's substance except what you can freely and safely and happily give. love and freedom don't coexist — but, I mean, you're almost starting to make me think........... unless...👀👀👀. the unconditional and undramatic 'you are here and I am here with you, you can be exactly how you are right now with me and it's safe for us both even though you're afraid it won't be, I'm not going anywhere' acceptance rook shows him here that he returns to them in the big romance scene, when it's rook who needs it. the way he's just. standing there in the center of it all, like a child desperately helplessly waiting to be found, hiding in the place he hopes you'll know to look first. (rook does know. it's one of the first things they say in there.)

in short the most important room in his little mind palace for the romance is the very first room — the one where rook isn't. where, in fact, rook cannot be, because they disprove the entire structure of the place with their existence and presence in his life. with everyone else he's putting words in their mouths about what they think of him, and rook is the one who actually gets to come in to speak their own words to him — and have him listen. ('he'll listen to you, he always listens to you', 'your voice is a comfort'.) of course rook isn't present anywhere else in there — at the risk of stating the obvious to a tedious degree, they aren't one of the locks, they're bringing the key. in the very finest 'the messenger and the message' sort of way.

[wearenotjustnumbers2]

Journalists in gaza are posting their last message.

What are we waiting for, what have we allowed to happen?

Ismail and motaz are the same journalists in this video by the way. They're people who always find light in the dark. Praying for them and all Palestinians.

[bunnieswithknives]

Dev this is serious stop beatboxing.

[inthehouseoffinwe]

Finarfin Fades.

No one expects it, no one’s faded in Valinor since Miriel. The War of Wrath is won and he comes back, waving off the courtiers, well wishers, and congratulators with his usual grace, and walks into the palace of Tirion. To rooms abandoned since their owners left so long ago. Winding deeper and deeper his feet take him to what was once Finwë’s favourite garden.

He’s so tired.

He’s fulfilled his promise to Fëanaro and Nolofinwë, to avenge them. To make the agony of their final moments - agony Finarfin felt, falling to the floor screaming as fire and darkness consumed his spirit - count for something. Now Morgoth is finally gone, but he’s not the only one.

His brothers, larger than life, larger than death, are gone. With them his sons. Niece. Nephews. Grandchildren. His daughter is never to return. He Saw little Nelyo’s death in his dreams and is sure hopes for the child’s own sake that Makalaurë will be close behind.

Little remains. Even less on these golden shores.

So Finarfin sits on a bench long overgrown with vines and weeds, and watches the sun filter through the thicket, wishing the ghosts he sees in his father’s garden would flesh out.

He sits. He waits.

And by the time anyone finds him, it’s too late.

…at least he’s smiling again.

[lazylittledragon]

ok i swear i'm not going to talk about my breakup forever but the thing that just keeps bothering me:

i know that not getting what you need in a relationship is a COMPLETELY valid reason to end it but also. i feel like having a very vulnerable moment where i opened up about my struggles with intimacy and being relieved that i didn't have to keep doing things i wasn't comfortable with, then being dumped a YEAR later because of my lack of intimacy. is something i should be allowed to be very hurt by???

[hinamie]

i don't normally participate in these redraw challenges but it's megumi so i'll make an exception

[timethehobo]

POV: You just broke his heart. 💔

[stealingyourbones]

Out of all of the people The Ghost King Phantom expected to relate to, it definitely wasn’t the scrawny red headed photographer of the Daily Planet. Jimmy Olsen has gotten so many temporary superpowers over his time being Superman’s friend. Hell, he once gained a 4th dimensional being’s reality warping abilities when he was given said dimensional being’s powers during a fight. Sure there’s a dozen or so heroes with the same amount of powers he has, but none as suddenly granted to them as a all powerful god that can relate to a teenager.

[secriden]

I thought I was done talking about Style in THK's episode 2, but jokes on me, no I'm not.

I keep thinking about Style and Bison's first interaction and how pure and sweet it was. In the middle of the mess that is this 4-way whirlwind of lies and deception, it felt like a refreshingly honest conversation between two people who are only accidentally lying to each other.

Style seems incredibly earnest when he tells Bison that Kant is "down bad" for him. It doesn't feel like Style is 'wingmanning' Kant here; or if he is, it isn't meant to be malicious or to mislead Bison. It feels like someone being friendly with his bff's crush and hoping that they can get along because he thinks this one's going to stick around.

Similarly, when Bison tells Style to go for Fadel for real, it feels very honest and earnest. Setting aside whatever games Bison is playing with Kant, Bison seems to genuinely want someone for his big brother, and not just so he can date who he wants or as a distraction.

It's also interesting how Style's protest is that he can't see himself actually gaining feelings for Fadel because in a way there's nothing to recommend Fadel to Style at this point. As far as Style is concerned, Fadel is arrogant and condescending, rude and ungrateful (after all, he did replace a bunch of parts in Fadel's car for free), a stick in the mud about his brother dating, and can't seem to take a joke.

We see the polite, pleasant and reasonable Fadel, but Style doesn't.

Which is why I've been obsessing over Style's expressions immediately after the conversation with Bison. Bison's parting insight is "He's rough on the outside, and on the inside," and I think he accidentally piqued Style's curiosity with that line. Because why does Bison still want his brother to have a "real" relationship, then? What makes Fadel worth loving, despite (what Style thinks is) nothing to recommend him?

Ugh I wish I knew how to make gifs because BLESS @airenyah FOR MAKING THESE GIFS!!! Dunk goes through a whole sequence of expressions here that suggests a shift happens in the way he's thinking of Fadel. There's a pensive and thoughtful look and then almost like, "Oh what the hell, might as well see where this goes" kind of amusement at the end. And I think the reason he has this shift is because he's realised that Bison clearly loves his brother and that must mean that there's more to Fadel then his initial impression of the man.

It's interesting that his next attempt at messing with Fadel actually invites Fadel to play along with it. It's so much tamer and more private than the previous attempts because he isn't actively trying to humiliate Fadel this time. And it works?? Fadel engages in the roleplay, indulges Style's ridiculousness, actually chops faster (whilst the most hysterical series of minute expressions play over Fadel's face <3). Perhaps this was Style testing the waters: can Fadel engage with something playful and not take everything way too seriously? Huh, turns out, he can!

The next time Style shows up around Fadel, he's circled back to that playful over-the-top flirting that characterised the garage scene. This is the first time in this episode that Style is actually flirting. Every other time was just to frustrate/humiliate Fadel but notice how he's actively trying to look attractive to Fadel now? He's putting all his best (ahem) assets on display, and poor Fadel has no real protection against this. And, oh, Style is loving this! He's gleefully lapping up every single time Fadel fails to completely hide that he's affected by him.

This, though. THIS precisely is the point I think Style decides that he really does want Fadel for himself. There's so much playing out over Style's face: the determination to push things further, the delighted surprise to see Fadel so rattled, the razor sharp focus, and then desire. Style has finally broken through Fadel's "roughness" and he loves it.

If that uncle hadn't walked in, I'm convinced Fadel would have let Style do anything he wanted, and I think Style knew that.

It's the first time Style immediately chases after Fadel when he walks away from him, and he's absolutely delighted when Fadel all but chokes him against the lockers because that means he still has Fadel within reach.

The whole conversation about "love at first sight" is breathtaking because it feels like Style is discovering what's going to make Fadel crack as he says it and realising just how much he wants this. And no, I don't think he's in love with Fadel yet (not by a LONG shot), but I think he realises that he wants Fadel to fall in love with him. This is such a shift from what he expressed in the diner to Bison. In the diner, there was no hope, no chance for this.

The kisses catch Style by surprise too: you can see that he's just reacting, pushing to see where Fadel will finally draw the line. Because Fadel kisses back in the first kiss and actually fails to push Style away for quite some time in the 2nd kiss (the camera purposely lingers on the way Fadel's hands hover over Style's waist without shoving him back). The third kiss is the point Fadel finally starts fighting, and in the immidate aftermath you can see Style watching so carefully again. And Fadel nearly kisses him again, you see the way Fadel's eyes drop to Style's lips, the way they both freeze and linger in the moment for that one second. The way Style registers that moment and it leaves Style shaken himself.

It's so interesting that this is how we leave Style in this episode (we only see Fadel's fantasy version of Style after this point). I've got two possible interpretations for this line:

Style possibly catches on that Fadel is more dangerous than he seems. Maybe just from vibes, maybe from something in the way Fadel threatened him that kicks off some kind of fearful instinct. This could be what makes Style start questioning if Kant told him the full story and lead to whatever scene it is where Style demands answers in the episode 3 preview.

Alternatively, perhaps Fadel is starting to become real to Style in ways he wasn't before. Fadel was almost a caricature of a man, one which Style didn't like very much before, and that made it easier to fool around with him. But this? This almost tortured man who clearly wants Style but can't seem to give into that desire? Something is going on and Style isn't sure it's worth the game to either of them anymore. Because maybe Style recognises that he's more affected than he should be. And that has implications that Style was not ready for.